He has received many international awards for his compositions.įirst published 2021 by Routledge 2 Park Square, Milton Park, Abingdon, Oxon OX14 4RN and by Routledge 52 Vanderbilt Avenue, New York, NY 10017 Routledge is an imprint of the Taylor & Francis Group, an informa business © 2021 Sam McGuire and Zbyněk Matějů Chapter 2 Sam McGuire, Zbyněk Matějů, Joshua Harris Chapter 6 Sam McGuire, Zbyněk Matějů, David Bondelevitch Chapter 7, Sue Aston, Vaclav Blahunek, Don Bowyer, Rahul Shah, Ondrej Urban, Camille De Carvalho, and Cory Cullinan Chapter 8 Jiayue Cecilia Wu. He is well known for his ballet, scenic, and film music, and for his symphony works. Zbyněk Matějů is a contemporary classical music composer. Sam’s research into 360º audio and impulse response technology has taken him to Europe and Asia, recording balloon pops in castles, cathedrals, and concert halls. He is the author of multiple audio technology book and numerous online training modules. Sam McGuire is an active audio engineer, composer, and faculty member of the University of Colorado, Denver. The book includes access to online videos featuring orchestration techniques, MIDI features, and instrument demonstrations.
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Bringing together the old and new, The Art of Digital Orchestration is an excellent resource for anyone using software to write or compose music.
It sheds light on the technology and musical instrument foundation required to create realistic orchestrations, drawing on decades of experience working with virtual instruments and MIDI. Using real-world examples including industry-leading software and actual sounds and scores from films, VR/AR, and games, this book takes readers through the entire orchestration process, from composition to instruments, performance tools, MIDI, mixing, and arranging.
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The Art of Digital Orchestration explores how to replicate traditional orchestration techniques using computer technology, with a focus on respecting the music and understanding when using real performers is still the best choice. Posthuman DMIs: biotech, informatics, and artificial intelligence Performing music on-the-fly: music programming-based systems (virtual machines)īuilding communities: social music-making Nostalgia and mutation: modular synths and virtual modular synths The ancestor of innovative DMIs: the thereminĪn innovative DMI: the Tibetan Singing Prayer WheelĭMI system architecture: input, control, and mapping strategies Innovative DMIs: novel input, control, and mapping strategies Introduction: the concept of NIME (new interfaces for musical expression)Īugmented DMIs: augmenting traditional acoustic instruments An outlook on future digital musical instruments Vaclav Blahunek: wind symphony orchestrationĭon Bowyer: composition/orchestration processĪdditional uses of technology in my compositionsĬhapter 8. Sam McGuire's 360° research in the Czech RepublicĬhapter 7. Scenario 3: traditional orchestration with realism